The Seven Day Fog

22 01 2013

“It all started with a wrong turn in the velvet fog of Venice.”

Chapter one, line one, new autodogography.

I am off to the City of Water to do some research. Venice in January: like an iceberg in a snowstorm and tourist-free.

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Steamy bars laden with the scent of tobacco and milk chocolate. Trattorie packed with bodies warming to a plate of squid-ink pasta or creamy truffle risotto.

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Gondolieri standing in their boats, wrapped up like winter hams, waiting for business. Ice between my toes. Frost on my snout. Pregnant mist pushing its long, fleshy fingers between the towers and canals.2292218586_e546c44060_m

I know only roughly (or ruff-ly, as is the case) my plot. Certain things have to occur: suspense, romance, danger—and magnificent meals. Truffles will take part as it is winter in northern Italy. And a French-African Chihuahua I once met will play in.1159578853_5864672ff8_m

 

 

Write what you know is what I say, until you no longer know. Then make it up. It’s fiction. All life is a type of fiction, after all. And the living, nothing more than writers. Comforting to know one can always change the ending. All dogs understand this.

The ending is always owned by it’s writer in more ways than one.8381306661_3b58d2eccf_m

Chew on that.

Chow.

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