Dogs know the way to pen a tale. Any writer can learn how. Read on:
Writing. A cakewalk some might think. Sit down with a cup of warm milk and a box of chicken flavored dental treats and pound the keyboard. For one who has inflexible toes, and no opposable thumbs, it’s an impossible scenario. To the canine writer, the closest comparison might be the paraplegic. Let me tell you why: it’s all about listening.
I propose a different point of view (I’m a dog): Writing is not a cakewalk, it’s a “dogwalk.”
A dog pulls the master along, pausing here and there to sniff a clue––or drop one. And so the writer leads the reader, imagining clues to add along the way as a path is created, hoping the reader will recognize, however subconsciously, the ones they’ve deposited.
How?
The written word of the author, as recited in the mind of the reader.
Ruh. You don’t have to be a canine ophthalmologist to know this.
Within those neat little sentences fashioned on the page should be everything that must be known about the story at the precise time it needs be known. To garner the information, the reader must pay attention, and here the writer is the master to its slave. The whip is micro-tension, akin to scattering a handful of liver snacks on the floor, and setting a cat on one side and a dog on the other.
How does one see the other? Micro-tension provides this insight through showing the friction between the two. Even if they are friends, there is bound to be some conflict in the above example. Let me tell you, it usually starts with a growl on one side or the other–––even though, of course, I LOVE the cat.
The two characters are at odds, resisting, undermining, attacking, either directly or in the sub-text of the scene. In exposition, emotions are in conflict and ideas at odds. The reader seeks relief by turning the page. The authors greatest hope.
The reader hears the words in his mind. If the writer has done his job, the words trigger a thing called emotion: the literary Pavlovian response. 
With a little luck (and a lot of skill), the feeling isn’t resignation, leading the reader, shoulders slumped, to put the book down, and shuffle off to the library for something new.
I know the importance here. This is my struggle. I may be canine, willing to give my heart to most passersby, but words can stump when used to evoke emotion. All my life, a wag of the tail, or a bared tooth, has done the job. Words on a page, free from vocal intonation, are difficult for me. But I think I’m getting closer.
Example, from Clara’s 3rd person POV:
Max said, “I love you.” The glass of ice water rattled as he set it on the table. He looked out the window as though he’d said the words to himself. Released. Clara slipped on her coat, left her key on the table next to the frosty glass, and walked out the door leaving it open to the frigid Christmas air.
or
His words were like a warm bath. “I love you.” The glass of water Max held materialized on the table, his arms around Clara like magic. Max’s eyes in the mirror above the Christmas fire were golden in the light, but he had the look of a man being led to hang.
***
Okay. Not Hemingway. 
But do you know how Max feels about Clara in each of these sentences? Do you know how Clara feels? Do you care? do you want to know what the problem is between them? Do you wan to turn the page? Please tell me you do.
I’m working on another novel (5th draft geared to micro-tension. Next draft: emotion…without any wagging tails). I take notes (recorded digitally, of course), I fashion metaphorical sentences––so many that my dreams are all in 3rd person narrative, no longer images, but echoes. I awaken to fragments that make me feel something.
Because I listen––and pay attention to the way words make me feel.
Chow.
An interview about the writing of my novel, JACK OF HEARTS: A fictionalized account of the mayhem that ensued after I discovered my master’s infidelity.
What are some of the challenges you encountered in writing JACK OF HEARTS?
It was really daunting to contemplate writing about infidelity. I found it to be a vast, complicated topic. I had to muster my courage, I think, to take that on. More than anything I wanted to render it in the right way, and explore it from the standpoint of a dog. I mean, loyalty is everything to the canine, no? That was the other big challenge: writing in the canine voice…inner voice actually. Initially, that was intimidating. I would go to bed at night and wake up worrying about it. What thesaurus translates the wag in its every definition, for instance? But in the end, I felt so compelled to do this. It’s a subject that affects every member of the family, right down to the lowly cat. I think you just have to listen to that place inside yourself as a canine writer. It’s just a creative knowing. Like knowing which piece of undergarment to shred, where to bury a bone, or what part of the garden to ruin. I just took a breath and decided to take it on, write in my imagined voice, and trust it to be authentic.
Where do you like to read?
I have several spots. When I’m in the country, I read usually in the afternoon, under the chestnut tree off the patio – a short reading time, usually poetry. Ogdan Nash, Carl Sandburg, and Robert William Service. I love Mary Oliver’s new book of poetry, DOG SONGS. Who wouldn’t? I read in bed every night. I usually get in bed pretty early with an iPad (with no opposable thumbs, it’s easier to swipe the pages), and I read until the management turns off the light. When in Rome, I sit in a lounge chair on my balcony overlooking the Piazza del Popolo. I love to be outside when the weather’s right. I can stay there pretty much all day––unless the squirrels demand attention.
What is your favorite word?
There are just so many beautiful words. Come, stay, car, park, rat, squirrel. Treat is probably my favorite. In Italian it’s regalo. A little more romantic, don’t you think? And covers so much more than simply the edible. Then there’s Bolognese, spaghetti, fromaggio. But I digress. It’s a shame the book couldn’t be written totally in Italian. Everything sounds better that way. Even veterinario. I think the word “chase” is beautiful, “inseguimento” in Italian. Not so much in its phonics, but just in the power of the word itself.
What is the first book you remember loving?
Go, Dog, Go. I can’t tell you how many times I’ve read it. I still have the first copy I read (although, somewhat tattered along the binding…). I remember reading it as a pup, outside, under the chestnut tree, just lying in the grass, one eye on a squirrel, the other on those glorious words in large type.
If you could recommend just one book, what would it be?
Travels with Charlie. Probably because I’d love to see America. The Incredible Journey was a great read, too, but a bit unbelievable. I mean, teaming with a cat?
The novel that probably had the most impact on me was, Lad, A Dog. Canine heroism is a huge motif in my book. It goes back to the roots of what makes up a dog in mind and spirit, and the first sparks that ignited the path for dogs, from the Neanderthal campfire to the service dogs of today. The hero is an extraordinary collie named Lad, “a thoroughbred in spirit as well as in blood.” I like to think of myself in the same way…except the collie part. It’s a period piece, but charming in its language, even if it is written in English.
And I do prefer print books. Hard covers are better for sinking one’s teeth into. Alas, because of my handicap (no thumbs), I am confined to the electronic device. At the end of the day, I would prefer to hold something concrete between my teeth. There’s something about the weight, substance, and concreteness of the words. The taste of the binding, scent of the glue, texture of the paper.
There is an alchemy to books. I mean, how else might dog tell a story?
Chow.
(With apologies to Huffington Post and Sue Monk Kidd.)
As a Dog, I am a good judge of man. No matter the look on his face, I can smell his heart.
I was never close enough to claim a whiff of Nelson Mandela, but his words are scented, and the odor is not unlike Dog’s. For as anyone knows, the core of Dog’s heart is love and wisdom. The core of Mandela’s heart shone in the same way. And will continue to shine on, his words a sweet scent on the eternal wind.
“Where you stand depends on where you sit.” ― Nelson Mandela
(Dog knows his position in the family is defined by where he sleeps. Inside, outside, floor or bed?)
“It is said that no one truly knows a nation until one has been inside its jails. A nation should not be judged by how it treats its highest citizens, but its lowest ones.” ― Nelson Mandela
(Same as above: inside, outside, floor, or bed.)
“Appearances matter — and remember to smile.” ― Nelson Mandela
(All dogs know the importance of perky ears and a good tail wag.)
“After climbing a great hill, one only finds that there are many more hills to climb.” ― Nelson Mandela
(Dog understands the drawback to thinking you can be king of the mountain.)
“It always seems impossible until it’s done.” ― Nelson Mandela
(Like chasing squirrels.)
“ As we let our own light shine, we unconsciously give other people permission to do the same.” ― Nelson Mandela
(When Dog wags, man smiles at the world.)
“Lead from the back — and let others believe they are in front.” ― Nelson Mandela
(Why Dog sometimes hangs back on a wild boar hunt.)
“When a man is denied the right to live the life he believes in, he has no choice but to become an outlaw.”
― Nelson Mandela
(The way of feral dogs.)
“Resentment is like drinking poison and then hoping it will kill your enemies.”
(Cats exist to make Dogs realize this.)
“I am fundamentally an optimist. Whether that comes from nature or nurture, I cannot say. Part of being optimistic is keeping one’s head pointed toward the sun, one’s feet moving forward. There were many dark moments when my faith in humanity was sorely tested, but I would not and could not give myself up to despair. That way lays defeat and death.”
― Nelson Mandela, Long Walk to Freedom: Autobiography of Nelson Mandela
(Why Dog neither judges nor holds a grudge. Everyday is a new day for a Dog.)
Long may your scent last, Madiba.
When it comes to philosophy, dogs have it boiled down to four points. Like Bernini’s Four Rivers fountain in Piazza Navona, this wisdom flows into every dog.
Man would do well to ride its waters, as well…
These few noble constants by which all dogs live are inborn. Every dog shares them, be they domesticated, feral, or ridiculous as I like to think of the curs on the Pincio.
First, dogs never let their past define them, and neither do they take life seriously. Every day is a new day for a dog; a new, exciting, anything-is-possible day. Any human can see that all dogs enjoy the charm of novelty.
Second, a dog’s heart is easily won and difficult to break. And though pride may be the downfall of many creatures, understanding their own fallibility makes dogs loyal to even the worst sort of human being. As a result dogs have learned that it is a far braver thing to stay in a disagreeable situation, helping dispel the misery of man, than to leave it. That is the charge of man’s companion. Dogs value bravery above all else; its degree, the measure of every dog. It is the noblest of canine virtues.
Third, dogs are philanthropists. They never pass up an opportunity to give. A pact was made in the early days of their ancestors. Hunting expertise for a share of man’s kill. That reciprocity continues today, but now lies in the pleasure and benefits exchanged between human and dog. It’s innate. An affectionate thresh, an endearing lick, a fond sniff about the crotch: these are all traded for room and board. One gets what one gives.
Finally, dogs never pass up the opportunity to have fun. It is the very heart of every living spirit; the essence of every dog. It encourages strong bonds and deep affection. If there is no pleasure, there is no life. This is the simple and abiding truth of existence.
It all comes down to looking at life with a kind eye, no?
I’ve always been an Elvis fan. What man could both rattle and roll the spirit of a small dog? From Love Me Tender to Hound-dog, let’s face it, the man understood the canine spirit.
But Dog can’t listen to the same thing every day. Dog is as diverse as the small game he chases. Mixing it up keeps things fresh, after all. I happen to like most all music—opera being the stand-alone exception. Puccini=Piu (a shortened term for puteo, which is Latin, of course, for “to stink, be redolent, or smell bad…in case you were wondering).
One wonders what tune Elvis would be singing now if he were still among the living. Rocking out, or a more comely croon? Age has it’s parameters.
Then there are the Rolling Stones. A half-century after they first took the stage, they still rock the house. As a dog, I haven’t personally seen them except on that flat table against the wall called television. Sure, they look a little different than they did a few years ago, but who doesn’t? Even MY ears droop under a decade of pursuing chicks in the hen yard. The paws don’t work the same way; my nose, at times, is mute to certain scents; and my ears? Well, let’s just say, the radio volume is turned up a notch or two these days.
Maybe that’s why Mick, Keith, Ronnie and Charlie are the ones I now prefer. With the volume up, and my eyes closed, they still have it after all those years. And in that, there’s hope for me at this ripe age (seventy in dog years), and anyone else of that generation.
There coming tour is not a retrospective, but an introspective: Not looking back; looking around and rejoicing in where we ARE.
Elvis may be in my heart, but these days the Stones are on my iPawed. Chow.
St. Patrick’s Day. I am green for the occasion. Frankly, I could have done a better job myself simply rolling in the freshly mown spring grass.
The meal this evening: Green pasta with smoked salmon, creme fraiche and vodka….vodka?
I suppose it’s a better choice than Irish Whiskey. At least vodka is flavorless. A reflection on the Russian culture? Makes a dog think.
The cook tosses a handful or two of baby spinach from the garden into the churning pasta dough, passes it through a hand-cranked cutter and out come stands of verdant linguine, like the long, slender grasses of mid-summer.
The sauce: Creme fraiche to begin. Fraiche because it’s straight from the cow next-door, thick and rich; ice cream without the sugar.
Vodka we have discussed. Gives the dish a piquant edginess. Another Soviet quality, perhaps?
The two, warmer together over a low flame lend a sweetness to the kitchen that hovers in the air like the aroma of some heady, unnamed blossom. Unwrap a package of tender, gently smoked Irish salmon and the kitchen becomes a perfumery. Heaven.
Cook folds the salmon pieces into the sauce. Checks for flavor, swiping a privileged finger through the mix, adds a splash more vodka to both the sauce and her glass of fresh-pressed juice. I guess the Russian liquid must have SOME merit.
The green pasta is boiled in salty water in the time it takes me to make it to the corner of the yard to water the basil, and return.
Linguine drained, sauced and served with a generous sprinkling of fresh parmesan and a glass of crisp Italian wine.
Now THAT’S St.Patricks Day in style.
Chow.
